Settled
in about 200 B.C by the Malays, in a first wave of migrations from the
Southeast, they brought with them the weapon of the long knife. Although many
weapons of different shapes and sizes were brought into the Philippines, the "Kris", a wavy bladed
knife from the island
of Java, was the first
foreign weapon to be transplanted into the Filipino fighting arts. During the
two more migrations that followed, these people were actually the ancestors of
the present day Muslim-Filipinos of Mindanao
and Sulu.
In
1518, Ferdinand Magellan convinced King Charles I of Spain
that the Moluccas, then known as the Spice Islands,
could be reached by sailing west. Magellan told the king that the Moluccas belonged to the Spanish side of the demarcation
line drawn according to the Treaty of Torsedillas. The king agreed to send an
expedition to the Spice Islands under the
command of Ferdinand Magellan. On September 20, 1519, the expedition sailed
southward across the Atlantic Ocean. Magellan
reached the southernmost tip of South America, where he crossed the Pacific Ocean strait, otherwise now known as the Magellan
strait. On March of 1521, he finally reached the Marianas.
After resting, his men and obtaining provisions, Magellan continued his voyage
and, on March 17th, 1521, sighted the mountains of Samar,
marking their arrival in the Philippine Archipelago.
On
April 28th, Ferdinand Magellan and his men waded ashore in knee high water to
do battle with Raja LapuLapu and his men. The methodical historian at his side,
Antonio Pigafetta recorded that LapuLapu's men were armed with fire-hardened
sticks. In this battle, Magellan was slain by the chief Raja LapuLapu with a
Kampilan by a blow to the leg and then a thrust to the neck.
In
1542 the group of islands was officially named Las Philippinas in honor of
Prince Philip who later became King Philip of Spain (Philip II, 1556-1598). An
explorer named Ruy Lopez de Villalobos, one of Magellan's predecessors takes
credit for giving the place its name.
Spanish
rule in the Philippines
lasted until 1898 when Spain
was defeated in the Spanish-American war. During this long period of
colonization, the Spanish had some important effects on the Filipino culture.
Firstly, most of the population was converted to Roman Catholicism with the
exception for the Muslim Moros of the Sulu archipelago. Spanish fencing also
had a direct effect on the fighting arts of the Philippines, with the introduction
of the angles of attack, and the use of Espada y daga. When the Spanish imposed
a ban on the practice of all native fighting arts and the carrying of bladed
weapons during their occupation of the islands, the Filipinos were forced to
substitute the use of the sword with that of the rattan. In the beginning, the
rattan was used to deliver strikes in the same manner as the blade i.e.
slashing and thrusting, and the knife or short stick was still held in reserve
as a back up weapon in case the opponent closed the distance, typical of its
use by the Spanish. It was hardly ever used to block or parry an oncoming
strike. However, through time, the Filipinos began to realize that because the
stick had different handling qualities, certain lines of attack were open to
them that were not available with the sword, for example, the curved and
snapping strikes. Once they began to appreciate the combat effectiveness of the
stick, the use of the knife also changed and began to be used more aggressively
in terms of blocking, parrying, checking, scooping, thrusting and slashing.
This in turn led to the creation of "Olisi y baraw", which is the
stick and dagger.
One
of the other effects to have reportedly influenced the Filipino culture is the
colorful costume of the Spanish. The bright and at times tacky colors are said
to be the basis of the colorful outfits worn by many Escrimadors today.
However, there is no evidence to support this claim.
Filipino
martial arts today are even more confusing. Arnis and Escrima are used to refer
to the weapon arts of the Philippines
today. Kali is actually used outside the Philippines to refer to the same
art. The term Arnis de mano is especially misleading. The term Arnis is a
varied form of the word Arnes, which refers to the decorative harnesses used by
the actors in moro-moro stage displays. De mano simply means hands, and so a
literal translation of Arnis de mano turns into 'harness of hand'. The
manipulation of these harnesses during the stage plays impressed the Spanish
who dubbed it Arnes de mano. The style Arnis, a Spanish term itself, uses many
Spanish terms to describe its techniques such as Espada y daga.
The
term Eskrima is another wide-ranging term derived from the word Escrima, which
is again derived from the Spanish term Esgrima that is the term for fencing. It
is also believed to mean to skirmish but there is no evidence to support this.
The
last term Kali is always the most controversial. Many martial arts schools and instructors
believe the word Kali to be a combination of the words Kamut, which is hand,
and Lihok, which is movement. It is also believed to be the mother art of Arnis
or Escrima but there is a lack of evidence to support this. Kali or Kahli as it
is sometimes written, in Visayan as a type of stick, but not used to refer to
the fighting art. Kali is also the Hindu Goddess of destruction, and the Moros
of the Sulu archipelago would often go into battle dressed like the Goddess of
Destruction. The more believable explanation is from the Tagalog word for a
large bladed weapon, Kalis. This was shortened simply to Kali to refer to all
bladed weapons. Its use in the West stems from the use of the word by Floro
Villabrille who used this term to describe his art, and Dan Inosanto eventually
popularized this. An interview with Antonio Illustrisimo in 1993 revealed that
he only used the word out of convenience because foreign students recognized
it, although he preferred the term Escrima because this is what it was called
when he was learning from his uncles.
Whatever term is used to
describe the Filipino fighting arts today it is clear that they offer deep and
rewarding training for those involved.